"I’ve never read or met anyone as ludicrous or awful as Moshfegh’s characters (but statistically they’ve got to exist, right?). They have horrible vices and perversions—old men who prey on women, lethal children, people we might call alcoholics, weirdos, perverts. Their voices are amplified and full of wild discontent. They have no intention of changing their ways or subscribing to some higher moral fortitude, which is what makes Homesick for Another World a kind of rubbernecking fun as well as a politically astute volume of literature whenever it wants to be. These characters want what they want and it’s in their opaque desires that they balance on the fringe of being believable. They’re all solidly dreaming people. There’s no question that Moshfegh assumes full command in the relationship between writer and reader. So god bless you and good luck."
Publisher Penguin Press
Publication Date 2017-01-17
Section New Hardcover - Fiction
Format Hardcover
ISBN 9780399562884
Ottessa Moshfegh's debut novel Eileen was one of the literary events of 2015. Garlanded with critical acclaim, it was named a book of the year by The Washington Post and the San Francisco Chronicle, nominated for a National Book Critics Circle Award, short-listed for the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. But as many critics noted, Moshfegh is particularly held in awe for her short stories. Homesick for Another World is the rare case where an author's short story collection is if anything more anticipated than her novel.
And for good reason. There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful, and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources. And the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.