"The stories in this collection—bound by a fading Ireland, by women whose flaws and vulnerability make them human, and by a distinct sense of longing—contain nuns, love affairs, and Irish weather. They contain impassioned girls and stagnant towns, starched sheets and soft-boiled icing; perfume, peat fires, haystacks.
Often funny, sometimes melancholy, always honest, O’Brien’s prose is musical: the stories move so fluidly from one to the next, it is difficult to stop, and the collection in this sense is almost novelistic, so vast is the world inside it."
Publisher Little, Brown and Company
Publication Date 2015-05-05
Section New Hardcover - Fiction / All Staff Suggestions / Fiction Suggestions / Hannah J.
Format Hardcover
ISBN 9780316378260
As John Banville writes in his introduction to The Love Object, Edna O'Brien "is, simply, one of the finest writers of our time." The thirty-one stories collected in this volume provide, among other things, a cumulative portrait of Ireland, seen from within and without.
Coming of age, the impact of class, and familial and romantic love are the prevalent motifs, along with the instinct toward escape and subsequent nostalgia for home. Some of the stories are linked and some carry O'Brien's distinct sense of the comical. In "A Rose in the Heart of New York," the single-mindedness of love dramatically derails the relationship between a girl and her mother, while in "Sister Imelda" and "The Creature" the strong ties between teacher and student and mother and son are ultimately broken. "The Love Object" recounts a passionate affair between the narrator and her older lover.
The magnificent, mid-career title story from Lantern Slides portrays a Dublin dinner party that takes on the lives and loves of all the guests. More recent stories include "Shovel Kings"—"a masterpiece of compression, distilling the pain of a lost, exiled generation" (Sunday Times)—and "Old Wounds," which follows the revival and demise of the friendship between two elderly cousins.
In 2011, Edna O'Brien's gifts were acknowledged with the most prestigious international award for the story, the Frank O'Connor Short Story Award. The Love Object illustrates a career's worth of shimmering, potent prose from a writer of great courage, vision, and heart.
