Signed New Voices in Fiction Club
Harvard Book Store

Signed New Voice

Four times a year, Harvard Book Store offers Signed New Voices in Fiction Club members a signed first printing of a newly published debut novel or story collection, selected with an eye toward literary merit and potential collectibility.

The Signed New Voices in Fiction First Edition Club brings you some of the finest and most important debut fiction of the season—just as our flagship Signed First Edition Club has been doing across genres for years.

Sign up or give a gift membership! Spaces are limited, and there will be a wait list when we reach capacity on membership for a given season. Wait listers will be notified when space becomes available; if a spot is not available for the current selection, your membership will be activated for the following selection.

Our Next Selection

Our Next Selection

The Four Humors by Mina Seckin (Fall 2021)

This wry and visceral debut novel follows a young Turkish-American woman who, rather than grieving her father’s untimely death, seeks treatment for a stubborn headache and grows obsessed with a centuries-old theory of medicine.

“Mina Seçkin writes about the human body in a way that is exacting and beautiful, and I am in awe at the way she pins pain onto the page…The narrative voice is infused with levity, generosity, and (yes) humor. The Four Humors is a gorgeous excavation of the body—its flaws and its desires—and what it means to heal.” —Katie Yee, Literary Hub

“[A] perceptive debut…Seçkin moves with poise from Sibel’s modern-day, deadpan tone to the stories of her older relatives, which are related as stand-alone narratives and are often entangled with Turkey’s tempestuous political history…A moving family story.” —Publishers Weekly

“A convincing, often dryly humorous sense of life in a constantly changing city…A captivating treat.” —Kirkus Reviews

“Mina Seçkin’s brilliant and understated first novel describes a young person’s quest to situate herself geographically, culturally, historically, and physiologically—to map out a place for her inner self in the world, in her family, and in her own body. Funny, heartrending, illuminating, informative, brimming with cultural specificity and human universality.” —Elif Batuman, author of The Idiot

How does this new club compare with the pre-existing Signed First Edition Club?

Our popular Signed First Edition Club has been delivering important works of literature, memoir, and history to its members for over a decade—including debut works by emerging writers. This new, additional club will focus on debut fiction from writers who have caught the attention of our well-read staff and the literary world.

  • While the flagship club is monthly, the Signed New Voices in Fiction Club will be quarterly in its first year, with a new selection each season.
  • All selections will be hardcover first printings of first novels or story collections, noted by critics and our staff.
  • Selections in one club will not be duplicated in the other, and we will continue to consider and select debut fiction for the flagship club from time to time.

How does the subscription work? 

Once a season (four times a year), members receive a debut novel or story collection of recent publication. A collection of signed first editions will enhance any library, and many signed first editions appreciate in value. Also, your membership supports Harvard Book Store, a landmark literary institution, and helps ensure that the store will exist—and continue to host its award-winning author event series—for years to come.

What will I receive? 

Harvard Book Store’s selections represent the forefront of debut fiction and reflect the authors hosted by the store’s award-winning event series. Selections are personally chosen by our discerning staff of readers.

The books in this program are guaranteed first editions, personally signed by the author. Each book arrives in pristine condition with its jacket in a transparent protective wrapping to extend the life of the book.

Also, this is a brand new club and we have some fun stuff in store for members. Stay tuned!

How much does membership cost? 

Membership is free. All you pay is the publisher's list price on the book ($26 - $30 on average per month) plus a flat shipping and handling charge.

Who is the club for? Can I give a membership as a gift? 

This service is perfect for anyone who has been trying to read more fiction or for the bibliophile who wants the latest in boundary-pushing, cutting-edge work.

You can choose to give a gift membership either for one year or indefinitely, and you may cancel the membership at any time.

What is a signed first edition? Why is it valuable? 

A first edition is the original printing of a book. First editions are distinguished from subsequent printings, as they represent the closest edition in time and intent to the author's original work. A signed first edition is a unique addition to any library, and to dealers and collectors, a signed first edition is the most desirable—and valuable—edition.

Do I have to provide my credit card number? 

Yes. In order to efficiently manage this unique program, Harvard Book Store requires that all members provide a credit card number upon sign-up.

What if I don't want a certain selection? May I return a selection? 

At this time, members may not decline a selection. Signed books make great gifts! 

All selections are non-refundable and non-returnable.

Is there a limit to how many people can sign up? 

Yes. As signed first editions are difficult to procure in large quantities, Harvard Book Store must limit the number of members. If the member limit is exceeded, a wait list will be started.

I have a question that isn't answered here. Whom do I ask? 

Ask a bookseller in the store, call us at 617-661-1424 x0, or write to

How do I sign up? 

Sign up using our secure online form.

Sign Up

Join the Signed New Voices in Fiction Club, or give a gift membership, using our secure online form.

Sign up now, and your first selection will be The Four Humors by Mina Seckin (shipping in early December).


The above sign-up form also includes current shipping and processing rates as well as the terms of membership. Thank you for supporting Harvard Book Store, a landmark literary institution, with your membership!

Introducing New Voices

Expanding on the popularily of our longstanding Signed First Edition Club service, in the spring of 2019 we were thrilled to announce a brand new signed book subscription service to Harvard Book Store customers.

Harvard Book Store’s New Voices in Fiction author event series, co-sponsored by GrubStreet, has brought dozens of emerging writers to Harvard Square, including novelists Lisa Halliday, Elif Batuman, Brit Bennett, and Yaa Gyasi. We've hosted Tommy Orange (There There), Nana Kwame Adjei-Brenyah (Friday Black), and Jamel Brinkley (A Lucky Man) for their remarkable debuts.

As we have done for over a decade with our flagship Signed First Edition Club service, this additional club will offer signed first printings of four books of debut fiction a year—curated by our staff—to bring you some of the finest and most important debut fiction of the season, with an eye toward literary merit and collectibility. This service is the perfect gift for anyone who wants to reads more fiction but feels overwhelmed (in a good way) when they walk up to the new titles table, or an ideal pick for bibliophiles who want the latest in boundary-pushing, cutting-edge work. Our promise is this: our selections will never be obvious, and the books will never be typical, but you’ll be thrilled by every one of them.

We look forward to introducing these writers to your bookshelf, and there's much more to come!

Learn more about the upcoming selections and find an FAQ about the club here.

Membership spots are limited; sign up today!

Past Selections

Summer 2021 Selection

Our Next Selection Agatha of Little Neon by Claire Luchette

"Blazingly original, wry, and perfectly attuned to the oddness—and the profundity—of life” (Cristina Henríquez), Claire Luchette's debut, Agatha of Little Neon, is a novel about yearning and sisterhood, figuring out how you fit in (or don’t), and the unexpected friends who help you find your truest self.

"Claire Luchette's debut opens with a rupture in familiarity that snowballs—Agatha and her sisters, all women religious in their late twenties, must leave the comfort of their convent when their parish goes bankrupt. Agatha, our narrator, begins her account of their journey to their next assignment by retreating to the safety of the collective 'we,' but her selfhood snags on a hangnail of difference almost immediately; 'how wonderful,' she thinks of her sisters' outward calm in the face of their upheaval, 'it would be, to wring yourself of questions.' From this aperture of doubt, Luchette's simple and luminous prose pours forth like a cascade of ordinary pebbles tumbled to a liquid sheen. Within Little Neon's lurid green frame, her characters grapple with belief and its limits, on macro- and micro-scales: the many mechanisms and distractions available to people who want to preclude knowledge of themselves, the price of solving for uncertainty with a set of answers whose rigid application, more often than not, provides a cover for the behavior of fallible men rather than a balm for the vulnerable and struggling. As any good art about faith should, this lucid, lovely novel troubles the concept of an easy resolution. Rather, the act of choosing to keep moving through that mire of uncertainty will feel holy to any readers whose own questions, like mine, refuse to be wrung out." —Lauren A., Harvard Book Store

Spring 2021 Selection

Our Next Selection Swimming Back to Trout River by Linda Rui Feng

“Against the backdrop of China's Cultural Revolution, a husband and wife are afraid to share their deepest longings and regrets. With disarmingly quiet prose, Feng digs beneath Cassia’s and Momo’s reluctance to mine their emotional depths as they struggle to grasp their individual experiences as well as their fractured relationship. Filled with tragedy yet touched with life-affirming passion.”—Kirkus Reviews (Starred Review)

"Linda Rui Feng's humane, quietly profound debut follows estranged couple Momo and Cassia, their daughter Junie, and Momo's first love, Dawn, through the years of China's Cultural Revolution to the 80s, examining with patience and deep care how their lives have been impacted by the political, physical, and emotional boundaries they encounter in turn. The connective thread between all their lives is music. Feng writes masterfully about it, understanding it as a physical force—slipping into the heart and cracking it open like a sunflower seed's hull, pushing the body forward into a future whose shape has been changed by the transformative insistence of the melody. The low notes of grief sustain through the decades of cultural and personal upheaval within these pages, but so do each character's small and defiant turns towards pleasure, connection, and hope." —Lauren A., Harvard Book Store

Winter 2021 Selection

Our Next Selection Milk Blood Heat by Dantiel W. Moniz

“Mortality is the undercurrent in Dantiel W. Moniz’s electrifying debut story collection, Milk Blood Heat, but where there’s death there is the whir of life, too. . . . Reading one of Moniz’s stories is like holding your breath underwater while letting the salt sting your fresh wounds. It’s exhilarating and shocking and even healing. The power in these stories rests in their veracity, vitality and vulnerability.”—Washington Post

"The anniversary of another pandemic spring prompts reflection; the juxtaposition of new buds and sun against a background of mind-breaking loss—in the background, if we're lucky enough to not have experienced it directly. Lucky or not, the ability to process our many griefs has been atomized. Into this blown-apart space comes Dantiel Moniz's debut collection; fully assured and, true to its title, packing heat, profoundly embodied. This is a ferociously alive book about death in all its gradations—the extinctions of intimate worlds constructed between friends and siblings, the puncturing of self-illusion by the swift knife of circumstance, the passing of loved ones into physical and emotional realms where we can't access them. In her meticulous inventory of our failures of care for one another and our fumbling efforts to mend those breaches, she presents a taxonomy of what is mournable, and its converse: what calls us to stay in the world we've made, however painful it may be to inhabit." —Lauren A., Harvard Book Store

Fall 2020 Selection

Luster by Raven Leilani

"Edie is a painter (who isn't really painting right now) with IBS and a ravenous eye for detail. Rootless to begin with and further cut adrift by the loss of her job, she finds herself living in the spacious Jersey house of her married lover. Raven Leilani spins out her magnificent debut around this ungainly arrangement, as Edie witnesses and tries to be witnessed, to carve space for herself where none has been provided. Her narration rolls through the present moment like a katamari ball and incorporates vast swaths of our culture into its sticky gestalt—mosh pits, ComicCons, furtive adolescent nerdiness, the gig economy, racism, the specific depression of theme parks. Leilani is a masterful chronicler of all the minutiae that comprise a life, from the intimate stench of the M train at rush hour to the parallel and foreign domestic universe suggested by the extra folded towels in the lover's bathroom. This sharp, capacious novel would be a gift at any time. In lockdown, I devoured it in a day: grateful to be reminded of the gravity of observing and being observed, and that the painful and lonely fermentation of not-making is, in the end, part of the art too." —Lauren A., Harvard Book Store

Spring 2019 Selection

Topics of Conversation by Miranda Popkey

“Popkey’s lyrical debut novel reads like a series of short stories: Over the span of 20 years, an unnamed narrator has conversations with an eclectic set of women—conversations about shame and love, sexuality and power. Envy and guilt. Motherhood. Loneliness. The slim book is smart and raw, and Popkey dives head-on into difficult, well—how else to say it?—topics of conversation.” —The Washington Post

“Miranda Popkey's discursive debut is part Rachel Cusk, part Miriam Toews, part conglomerate of the best/most terrifying conversations you had in grad school. I found Topics of Conversation to be glued-to-the-page, heart-thumpingly good, with sentences that run and run and don't let go. Somehow Popkey covers everything in this series of dialogues between women, about women—with fresh insight, she writes about art, feminism, sex, literature, motherhood, monstrous men, all with an edge of nuance that will complicate your personal beliefs long after you've finished reading. If you're like me, you'll take Topics of Conversation and break the spine, carry it around in your back pocket, litter the pages with dirt and blood and coffee stains. Then, I hope, you'll share this novel with whomever will listen." —Spencer R., Harvard Book Store

Fall 2019 Selection

The Secrets We Kept by Lara Prescott

"In alternating chapters, the book toggles between East and West across more than a decade, dropping in on multiple pulse points of the so-called “soft-propaganda warfare”—a battle waged to win over the hearts and minds of Soviet citizens by giving them access to the rogue homegrown art and literature their government denied them. Really, though, it’s about the women who fought alongside (but officially of course, largely below) the men on that fight’s front lines, scheming and strategizing and even finding the time to fall in love, sometimes with one another. The whirl of trench coats and cocktails and midnight meetings on park benches has the heady whiff of classic old-fashioned spy storytelling, but filtered, too, through Prescott’s thoroughly modern lens." —Leah Greenblatt, Entertainment Weekly

“Lara Prescott’s debut, The Secrets We Kept, is a tantalizing historical novel set amidst a backdrop of Soviets, spies, and the burgeoning feminist movement of the mid-20th century. At its heart is the biggest literary headline of the Soviet era: the suppression of Boris Pasternak’s USSR-maligning novel Doctor Zhivago (for which Pasternak won, declined, and was eventually awarded posthumously the Nobel Prize), and a true story that will be familiar to few: how the CIA got the book into the hands of publishers and readers across the world through covert operations. Prescott assembles years of research on what is now known as The Zhivago Affair into a captivating novel complete with high-stakes trysts, literary ambition, and Mad Men-esque office drama.” —Spencer R., Harvard Book Store 

Summer 2019 Selection

On Earth We're Briefly Gorgeous by Ocean Vuong

“This is one of the best novels I’ve ever read. I always want my favorite poets to write novels and here it’s happened. Ocean Vuong is a master. This book a masterpiece. On Earth We’re Briefly Gorgeous is an ode to loss and struggle, to being a Vietnamese American, to Hartford, Connecticut, and it’s a compassionate epistolary ode to a mother who may or may not know how to read. I dog-eared so many pages the book almost collapsed—I almost did.” —Tommy Orange

“The brilliance of Ocean Vuong’s book lies in its looseness, its brevity, its incoherence at times—you know, that stuff of life. Vuong’s training as a poet is obvious, as his novel is dense with metaphor. Tension occurs not by the proximity of conflicting characters, but by proximity of paragraphs, vignettes short and long that run parallel and perpendicular to one another, sometimes fluvial and sometimes engendering awesome discord. There’s an indescribable directionality to his sentences, a soft buzz that indicates the white machine of life is present no matter the tragedies that befall the narrator, Little Dog, in this autobiographical novel. Though marked by adversity, this story is not a tragedy. It’s much more complicated, and much like Proteus, multiform and difficult to pin down. On Earth We’re Briefly Gorgeous, is a novel of the opioid crisis, a novel of the Vietnam War, a novel in the name of immigrant mothers, a novel of glistening sexuality and first love—and for a stretch it becomes a novel of breathless poems, as Vuong contends directly with grief, addiction, and grief again, with one-liners that’ll make your head spin. Vuong’s first novel, much like his poetry, is unquestionably humane and filled with light.” —Spencer R., Harvard Book Store

Spring 2019 Selection

The Parisian by Isabella Hammad

The Parisian is a sublime reading experience: delicate, restrained, surpassingly intelligent, uncommonly poised and truly beautiful. It is realism in the tradition of Flaubert and Stendhal—everything that happens feels not so much imagined as ordained. That this remarkable historical epic should be the debut of a writer in her mid-twenties seems impossible, yet it's true. Isabella Hammad is an enormous talent and her book is a wonder.” —Zadie Smith

"Isabella Hammad’s The Parisian is a sweeping, Jamesian book both titanic and profound. As I carried this nearly 600-page novel with me to work, to the park, to the subway, to my favorite cafes, I was in awe of Hammad’s ability to transport, the elegance and unpretentiousness of her prose, and my intense concern for her characters." —Spencer R., Harvard Book Store

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