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I Wear the Black Hat: Grappling with Villains (Real and Imagined)

I Wear the Black Hat: Grappling with Villains (Real and Imagined)

"Until I read I Wear The Black Hat, I had never encountered a book that made me feel almost compelled to look up from the page to quote whole sections out loud to strangers on the T or subject my friends to long and involved chapter summaries over dinner. I believe that this is a testament to both how sharp and how funny I Wear The Black Hat is. And when your subject is villainy and your cast of characters includes Batman, Monica Lewinsky, The Wire's Stringer Bell, The Oakland Raiders, and O.J. Simpson (among others), striking a balance between astute cultural criticism and a Who's Who of 20th Century A**holes isn't easy. But, of course, that's what Chuck Klosterman, the 'Ethicist' for the New York Times Magazine, does best."

Emily P.

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Author Chuck Klosterman
Publisher Scribner
Publication Date 2014-07-01
Section New Titles - Paperback
Type New
Format Paperback
ISBN 9781439184509

One-of-a-kind cultural critic and New York Times bestselling author Chuck Klosterman “offers up great facts, interesting cultural insights, and thought-provoking moral calculations in this look at our love affair with the anti-hero” (New York magazine). Chuck Klosterman, “The Ethicist” for The New York Times Magazine, has walked into the darkness. In I Wear the Black Hat, he questions the modern understanding of villainy. When we classify someone as a bad person, what are we really saying, and why are we so obsessed with saying it? How does the culture of malevolence operate? What was so Machiavellian about Machiavelli? Why don’t we see Bernhard Goetz the same way we see Batman? Who is more worthy of our vitriol—Bill Clinton or Don Henley? What was O.J. Simpson’s second-worst decision? And why is Klosterman still haunted by some kid he knew for one week in 1985? Masterfully blending cultural analysis with self-interrogation and imaginative hypotheticals, I Wear the Black Hat delivers perceptive observations on the complexity of the antihero (seemingly the only kind of hero America still creates). As the Los Angeles Times notes: “By underscoring the contradictory, often knee-jerk ways we encounter the heroes and villains of our culture, Klosterman illustrates the passionate but incomplete computations that have come to define American culture—and maybe even American morality.” I Wear the Black Hat is a rare example of serious criticism that’s instantly accessible and really, really funny.

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